Artist(s): Sir Thomas Beecham - Orchestre National De La Radiodiffusion Française
Recording Info: Recorded by EMI March 1957 at Kingsway Hall, London
Recording Engineer - Paul Vavasseur
Producer – Victor Olof
1 Rêveries - Passions 12:37
2 Un Bal 6:47
3 Scène Aux Champs (Part 1) 5:59
4 Scène Aux Champs (Conclusion) 11:04
5 Marche Au Supplice 5:22
6 Songe D'Une Nuit Du Sabbat 10:44
Please Note: This release was edited in DXD PCM from a DSD256 Master
then the DXD edited master was used to generate the final DSD files using
Merging Technologies Album Publishing.
DXD (352.8KHz 24/32 bit PCM) is one of the best and least destructive formats for post-processing DSD originated digital recordings
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wonderful
Outstanding sonic transfer for this great record. Thanks HDTT

Best Sound I’ve Ever Heard from this Legendary Recording
Sir Thomas Beecham made two recordings of Berlioz’ Symphonie Fantastique. For some odd reason, one was made in mono sound in 1957 and the other the following year in stereo. The only reason I would believe two separate recordings were made was that EMI’s stereo recording equipment wasn’t available at the time the 1957 recording. I have both recordings on LP and regular CD, and from a performance standpoint, feel that the 1957 recording is better. Beecham seemed to have better control over the orchestra in 1957 than for the one in 1958. Anyhow, the sound on my FLAC download of the 1958 stereo 24-bit/192-kHz version is the best I have ever heard of this landmark recording. The sound of the Salle Wagram where the recording was made comes out in such a way that I’ve never heard before. Also, the positioning of the various sections of the orchestra are better than on my regular HMV LP and CD copies. I will definitely go to this FLAC download in the future whenever I want to hear this recording.

Terrific fantastique
Very good transfer of one of the best recordings of this symphony

I love HDTT's mastering making this performance real and warm
Almost bought all editions of Berlioz Berlioz Symphonie Fantastique, among which this is a very best.


Excellent Beecham delicacy of phrasing contrasted with sheer terror, to great effect
This recording of Symphonie Fantastique has long been highly regarded. And it remains quite competitive after over 60 years of new recordings. It certainly held a place in my vinyl library for many years, with many return trips to the turntable due to its many virtues. What makes this such a special recording for me is Beecham's interpretation -- highly dramatic, but without going to excess. He retains that delicate balance between excitement, suspense, and Romantic scene painting (to borrow a phrase from the liner notes). He renders the hallucinatory scenes vividly. And he flows naturally and easily from one sequence to another, retaining a sense of the beauty of line and expression while contrasting sharply with derangement and terror. This all works brilliantly, and often much more successfully than other performance that seem manically driven without pause. The sound quality is classic mid-hall EMI, beautifully captured in this excellent HDTT transfer. The underlying recording is perhaps not the last word in transparency and resolution, but the EMI engineers captured the timbre of the instruments, good dynamics and frequency extension, and some nice hall ambiance. This HDTT transfer sounds better than my memory of any of the several LP releases I had of this recording, several of which tended to the thin and strident. Not here. In this HDTT transfer, the sound is full, weighty and richly textured, while nicely capturing the piquant winds for which French orchestras have been so well known in the past.
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