Monteux’s 1959 Living Stereo Petrushka occupies a unique place in recorded history. It preserves an authentic Stravinsky lineage through one of the composer’s most important early champions

Ernest Ansermet’s recording of The Firebirdwith L’Orchestre de la Suisse Romande stands as a vivid mid-century interpretation of Stravinsky’s landmark ballet score, combining sharp rhythmic precision with a distinctly elegant orchestral character.

Magnificent artistry of one of the world’s most accomplished violinists, Arturo Delmoni, playing together with outstanding guitarist David Burgess.

Clara Haskil’s recording of Mozart’s Piano Concertos No. 20 in D minor, K.466, and No. 24 in C minor, K.491, with the Orchestre des Concerts Lamoureux under Igor Markevitch, stands as one of the most inward and serious readings in the Mozart concerto discography.