Shelly Manne & His Men - at The Black Hawk Vol. 1

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Shelly Manne & His Men – At The Black Hawk Vol. 1 is a classic live jazz album recorded in 1959 at the Black Hawk nightclub in San Francisco. Shelly Manne, a prominent American jazz drummer, leads his quintet, which was one of the most respected West Coast jazz groups of the era. The "At the Black Hawk" series is celebrated for its energetic performances and showcases the quintet's improvisational skills and group chemistry.
The Black Hawk recordings capture the quintet at the peak of their creative powers. Unlike studio recordings, where musicians often strive for perfection and precision, live recordings offer spontaneity and risk-taking, with the audience’s energy feeding into the performance. Manne and his band take their time with the tunes, extending them into long explorations that allow each musician to engage in creative dialogue with the others.

Artist(s): Drums – Shelly Manne
Bass – Monty Budwig
Piano – Victor Feldman
Tenor Saxophone – Richie Kamuca
Trumpet – Joe Gordon

Recording Info: Recorded Live at The Black Hawk, San Francisco, September 1959
Engineer - Howard Holzer
Producer - Lester Koenig
Sourced from a Contemporary Records Original pressing
Analog: Transferred using a VPI - HW-40 Anniversary Direct Drive Turntable - Cartridge used Ortofon MC Anna - Merrill Jens Phono Preamp
Digital: Merging Anubis Analog to Digital Converter clocked by an Antelope Audio 10MX Atomic Clock
Power Conditioning: Shunyata Research Everest 8000 for all components
All components grounded to Shunyata ALTAIRA Hubs

1 Summertime 11:56
2 Our Delight 11:57
3 Poinciana 13:20
4 Blue Daniel 8:43
5 Theme A Gem From Tiffany  0:49


This Title is in the Vinyl Record Restoration Series. You can find information about the series in this Blog Post HERE


Please Note: This release was edited in DXD PCM from a DSD256 Master
then the DXD edited master was used to generate the final DSD files using
Merging Technologies Album Publishing.
DXD (352.8KHz 24/32 bit PCM) is one of the best and least destructive formats for post-processing DSD originated digital recordings

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