Miles Davis and Horns - Pure DSD
Miles Davis and Horns is a compilation album by Miles Davis, released in 1956 on Prestige Records. It brings together recordings from sessions in 1951 and 1953, featuring various ensembles of musicians. The album is notable for its mix of bebop and cool jazz influences, showcasing Davis’s evolving sound during the early 1950s.
These sessions feature larger ensembles than a typical quintet or sextet, incorporating multiple horns, which was somewhat unusual for Davis at the time. The music reflects the hard bop and early cool jazz sounds that Davis was experimenting with before moving into his more refined styles later in the decade.
Artist(s): Trumpet – Miles Davis
Bass – Leonard Gaskin (tracks: 1-4), Percy Heath (tracks: 5-8)
Drums – Kenny Clarke (tracks: 1-4), Roy Haynes (tracks: 5-8)
Piano – John Lewis
Supervised By – Bob Weinstock, Ira Gitler
Tenor Saxophone – Al Cohn (tracks: 1-4), Sonny Rollins (tracks: 5-8), Zoot Sims (tracks: 1-4)
Trombone – Bennie Green (tracks: 5-8), Sonny Truitt (tracks: 1-4)
Recording Info: Tracks 1-4 recorded at Beltone Studios, NYC, February 19, 1953.
Tracks 5-8 recorded at Apex Studios, NYC, January 17, 1951.
Sourced from a 15ips 2-track Mono Tape
Analog: Transferred using a modified Studer 810 tape deck feeding a Merrill Tape Preamp
Digital: Merging Hapi Analog to Digital Converter clocked by a Antelope Audio 10MX Atomic Clock
Power Conditioning: Shunyata Research Everest 8000 for all components
This is a monophonic recording
1 Tasty Pudding 3:23
2 Floppy 6:03
3 Willie The Wailer 4:28
4 For Adults Only 5:36
5 Morpheus 2:23
6 Down 2:53
7 Blue Room 3:01
8 Whispering 3:00
Please Note: This release was mastered in DSD with no PCM. (Pure DSD)
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A far better sounding release...
The albums offered by HDTT are always top drawer, both the music and the performances. One might have favorites, but they have all met the test of time as excellent albums. In the case of this current Miles Davis release, one might be put off by the 1950s artwork, but never by the music. The players are the cream of 1950s era jazz and they are simply great. I did compare this HDTT Pure DSD256 release to a 192k release from another source that was already in my collection. As I expected, the HDTT release is much more natural sounding, much more neutral in tonal balance, much more "analog sounding". In the alternate source release, the upper midrange and highs have been goosed up for punchier impact, but far less natural sound. The HDTT is a far superior sounding release if you value the natural timbre of the instruments.
DSD256, DSD128 & DSD64 Direct Stream Digital formats are only playable on compatible hardware and software.
24bit 352.8kHz PCM Flac (DXD) DXD is only playable on compatible hardware and software.
24bit 192khz PCM Flac is playable on most all playback devices
24bit 96khz PCM Flac is playable on most all playback devices
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Please Note: Playback on Apple media players will require converting the file to the required format.
Gold Premium Compact Disc 300+ years longevity - The recording layer resists UV and heat better than other discs. Includes Complete Jewel case and Liner Notes
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