Peterson’s approach to Ellington’s music is both reverential and inventive, with his hallmark dazzling technique and refined harmonic sense.
Ray Brown’s bass playing provides an impeccable foundation, always locked in with the pianist’s phrasing.
Ed Thigpen’s brushwork and swing feel add subtlety and drive, enhancing the trio’s overall cohesion.
This album captures a perfect balance of swing, elegance, and virtuosity, making it one of the finest piano tributes to Duke Ellington.
Artist(s): Piano - Oscar Peterson
Bass - Ray Brown
Drums - Ed Thigpen
Recording Info: Recording Dates: July 14 - August 9, 1959
Studio: Universal Recording Studio, Chicago
Release Date: February 1960
Produced by Norman Granz
Sourced from a 2-track tape
Analog: Transferred using a modified Nagra 4SJ tape deck feeding a Merrill Tape Preamp
Digital: Merging Hapi Analog to Digital Converter clocked by an Antelope Audio 10MX Atomic Clock
Power Conditioning: Shunyata Research Everest 8000 for all components
All components grounded to Shunyata ALTAIRA Hubs
1 Just A Sittin' And A Rockin' 3:02
2 Things Ain't What They Used To Be 3:09
3 Take The "A" Train 3:06
4 I've Got It Bad And That Ain't Good 3:13
5 Do Nothin' Till You Hear From Me 2:16
6 John Hardy's Wife 2:34
7 Don't Get Around Much Anymore 2:35
8 Sophisticated Lady 2:27
9 Rockin' In Rhythm 2:17
10 Prelude To A Kiss 2:33
11 In A Mellow Tone 3:44
12 Cottontail 2:24
Please Note: This release was edited in DXD PCM from a DSD256 Master
then the DXD edited master was used to generate the final DSD files using
Merging Technologies Album Publishing.
DXD (352.8KHz 24/32 bit PCM) is one of the best and least destructive formats for post-processing DSD originated digital recordings
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